Monday, December 5, 2011

"Active" vs. "Actual" Participation

From "Participation" by Msgr. Richard Schuler in Sacred Music, 1987
 
Vatican II introduced no radical alteration in the concept of participatio actuosa as fostered by the popes for the past decades. The general principle is contained in Article 14 of the constitution on the sacred liturgy:
Mother Church earnestly desires that all the faithful should be led to that full, conscious and active participation in the ceremonies which is demanded by the very nature of the liturgy.

...One of the most active and demanding of human actions is that of listening. It requires strict attention and summons up in a person his total concentrative effort. It is possible, for example, to walk without really knowing that one is walking or advert to where one is going. It is possible even to sing, especially a very familiar tune, and not be conscious of actually singing. But one cannot truly listen without attention. Especially in our day of constant radio and TV broadcasting, we are able to tune out almost every sound we wish. To listen attentively demands full human concentration. Listening can be the most active form of participation, demanding effort and attention. Truly, as the scriptures tell us, faith demands hearing, fides ex auditu.

With that in mind, surely the baptized Christian who listens with care to the proclamation of the gospel or the singing of the preface at Mass truly has achieved participation, both activa and actuosa.

The Church does not have the entire congregation proclaim the gospel text, but rather the deacon or the priest does it. It is the duty of all to listen. The canon of the Mass is not to be recited by everyone but all are to hear it. Listening is a most important form of active participation.

There is a variety of roles to be observed in the public celebration of the liturgy. There is the role of the priest, deacon, reader, cantor, choir and congregation, among many others. Because each office has its own purpose and its own manner of acting we have the basic reason for a distinction of roles. If the reader or the cantor is to read and sing, certainly the role of the others is to listen. If the choir is to sing, someone must listen and in so-doing participate actively in the liturgy, even if during the period of listening he is relatively inactive in a physical way.

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