"The Church Sings to Her Bridegroom"

Following are the concluding paragraphs from "The Spirituality of Sacred Music", by  Rev. Scott A. Haynes, SJC, in the Adoremus Bulletin on-line edition, Oct. 2008.

This nicely sums up why it is good to "sing the Mass" rather than just "sing AT Mass".

The Church Sings to Her Bridegroom

The axiom lex orandi, lex credendi (the law of prayer is the law of belief) should be expanded to include lex cantandi, lex amandi — the law of singing is the law of loving. As Saint Augustine said: “For he that sings praise, not only praises, but only praises with gladness: he that sings praise, not only sings, but also loves Him of whom he sings. In praise, there is the speaking forth of one confessing; in singing, the affection of one loving”.

Music is the language of love. Hence the Church, as the Bride of Christ, has always sung the praises of her Divine Bridegroom, Jesus Christ. Her praises, in turn, are the echo of that ineffable canticle sung in the Godhead from all ages. For the Eternal Word, Jesus Christ, is a divine canticle singing the Father’s praise.

This is the infinite hymn that forever sounds in the “bosom of the Father” (Jn 1:18). It is the canticle that rises up from the depths of the Divinity, the Living Canticle wherein God eternally delights, because it is the infinite expression of His perfection.

Thus the Church is filled with the songs of the angels. When the Sanctus passes through the lips of the Church she is echoing the joyous praise of the cherubim and seraphim, who adore our Triune God in ceaseless adoration.

Because one who loves is wont to sing — Cantare amantis est, as Saint Augustine says — then the Church must sing God’s praises with knowledge, with understanding and with love.

Our voices, filled with such love and understanding, will not be silenced, but rather, with all the saints and angels, our songs of praise will echo through all eternity in the halls of heaven.

Mystical Body, Mystical Voice in Bend = Success!

What does the opening scene of the movie The Voyage of the Dawntreader have to do with the new translation (3rd edition) of the Roman Missal? A group of parishioners from the Bend area can probably explain it after their participation in a workshop sponsored by the Society of St. Gregory the Great on Friday and Saturday, November 11-12.

The workshop concerned the changes in the Mass that will be evident starting the first Sunday of Advent when the third edition of the Roman Missal is formally and officially put into use. Pastors of many parishes in the Diocese of Baker have begun to use at least some of the revised responses of the people. Changes in the priest’s prayers won’t be heard till November 27.

The USCCB has said:

The entire Church in the United States has been blessed with this opportunity to deepen its understanding of the Sacred Liturgy, and to appreciate its meaning and importance in our lives…Musicians and parishioners alike should soon be learning the various new and revised musical settings of the Order of Mass.

People will be paying more attention to the Mass because of the changes – that’s what gives us the opportunity to deepen our understanding of the liturgy. There’s something to talk about: why have these changes been made?  But if we simply take a utilitarian, mechanical attitude toward it, we’ll just say, “Let’s just learn the new words and get on with it.”

There’s much more to it than that!  And that’s what this workshop is about.

This workshop is based on a program is called Mystical Body, Mystical Voice, which was created by a priest and a layman with extensive education in the liturgy; it’s produced by the Liturgical Institute. Based on sacramental theology and the liturgical rites of the Church, it’s not just a mechanical instruction in what’s changing and how we “do” it; it’s also about understanding the beauty of what the new translation has to offer. It’s about enriching our knowledge of and participation in the Mass. And we’re talking about participation in a deeper sense than simply being a part of the choir, or serving as a lay minister, or usher, etc.

The facilitator for the presentation was Dr. Judith (Jay) Boyd, who also serves as vice-president of the Society of St. Gregory the Great. The workshop included both video segments of dynamic speakers addressing the issues, as well as comments by Dr. Boyd, and discussion amongst the attendees. Participants were reminded of the rich Catholic heritage that lies beneath the surface of the Liturgy, building on 2000 years of Christianity as well as several thousand years more of our roots in Judaism. The Mass is more than it appears on the surface, and participants were led into a renewal of their understanding of the liturgy's spiritual depths and its true meaning.

Another important focus of the workshop in Bend – as well as the one given recently in The Dalles - was the value and beauty of a "sung" Mass. The new edition of the Missal contains more music than previous editions, and the USCCB is encouraging priests and the faithful to reclaim some of the lost traditions of the Church by singing the Mass from start to finish. Participants at the Bend workshop practiced singing the responses, and saw the way the simply chant melodies draw one into the liturgical celebration and move one’s heart and mind toward God.

So, what does The Voyage of the Dawntreader have to do with all of this? It's worth your time to attend a workshop and find out! To schedule one in your parish, contact Stephanie Swee at 541-550-0832, or email her at swee0574@gmail.com.

What the New Translation Could Mean for Music at Mass

On The Chant Café is posted the full text of Msgr. Andrew Wadsworth's speech at the 2010 Southeastern Liturgical Music Symposium, August 21, 2010. It’s well worth reading in its entirety. Here are some of his comments (my emphases):

…I am sure that many of you here today were among the first to recognize that a change of translation, a change which implies a difference of style, register and content, would have considerable implications for our liturgical music. I am sure it will have occurred to you that it would not just be a matter of adapting our current settings and songs to the new texts, rather in the way that one might alter an old and well-loved garment to meet the demands of an increasing or decreasing waist-line! But rather, the new texts would quite naturally inspire new music which responds more directly to the character of the texts themselves, reflecting in an original way their patterns of accentuation, their cadence and their phrasing. Is it too much to hope that this might be a wonderful opportunity for reassessing the current repertoire of liturgical music in the light of our rich musical patrimony and like the good housekeeper being able to bring out of the store treasures both new and old?

Unfortunately, I am seeing in our diocese a tendency to want to do just exactly what Msgr. Wadsworth suggests is a mistake: adapting current musical settings to the new texts. The new translation – the 3^rd edition of the Roman Missal – contains more music than any previous edition. And folks, it is NOT music by Marty Haugen and Bob Hurd! And we do have a “rich musical patrimony” to draw from, but it is NOT meant to be accompanied by guitars, tambourines, and/or trumpets. It is Gregorian chant. In the new Missal, it is Gregorian chant in both Latin and English; it is simplified and certainly singable (and will make you thirst for the authentic Latin stuff!). It makes sense in the context of the Mass itself. What a concept!

Having attended a workshop which utilized some materials from the Mystical Body, Mystical Voice program, I understand exactly what Msgr. Wadsworth is saying in this next paragraph:

Maybe the greatest challenge that lies before us is the invitation once again to sing the Mass rather than merely to sing at Mass. This echoes the injunctions of the Council Fathers in the Constitution on the Sacred Liturgy and reflects our deeply held instinct that the majority of the texts contained in the Missal can and in many cases should be sung. This means not only the congregational acclamations of the Order of Mass, but also the orations, the chants in response to the readings, the Eucharistic prayer and the antiphons which accompany the Entrance, the Offertory and the Communion processions. These proper texts are usually replaced by hymns or songs that have little relationship to the texts proposed by the Missal or the Graduale Romanum and as such a whole element of the liturgy of the day is lost or consigned to oblivion. For the most part, they exist only as spoken texts. We are much the poorer for this, as these texts (which are often either Scriptural or a gloss on the Biblical text) represent the Church’s own reading and meditation on the Scriptures. As chants, they are a sort of musical lectio divina pointing us towards the riches expressed in that day’s liturgy. For this reason, I believe that it is seriously deficient to consider that planning music for the liturgy ever begins with a blank sheet: there are texts given for every Mass in the Missal and these texts are intended for singing.

In the workshop I attended, which was sponsored by the Society of St. Gregory the Great, participants were reminded of the rich Catholic heritage that lies beneath the surface of the Liturgy, building on 2000 years of Christianity as well as several thousand years more of our roots in Judaism. The Mass is more than it appears on the surface, and participants were led into a renewal of their understanding of the liturgy's spiritual depths and its true meaning. Instruction in singing the Mass was also included, making use of all that music in the new edition. This highlighted the fact that the USCCB is encouraging priests and the faithful to reclaim some of the lost traditions of the Church by singing the Mass from start to finish.

So…from my scattered memories of my initial Catholic music experience, coupled with my experience with chant over the last few years, and joining that to the potential of the new translation, I must simply urge you:

Go! Run – do not walk! – to the nearest “Mystical Body, Mystical Voice” workshop (or use the on-line resources)! But SING THE MASS!!!

If you live within a half-day’s drive of Bend, Oregon, plan on attending the “Mystical Body, Mystical Voice” workshop there on Nov. 11-12. See the sidebar and a previous post on this blog for details.